Showing posts with label painting tutorial. Show all posts
Showing posts with label painting tutorial. Show all posts

Thursday, November 15, 2012

Choosing a Still Life Composition


 With my one little red plum, I started investigating the possibilities of composition.

I already painted it whole, so I cut it in half. No turning back now!

Each half is different: with and without the pit still in. The hollow half shows a different set of shadows inside. I could choose a variety of viewpoints....looking from above or different side angles. One way, it would show both the inside and outside of the plum.

Turn it this way and that, shine the light just so, and soon I realize how much like a jewel this little red fruit could appear.


Friday, August 31, 2012

New DVD Release--Homer's "Gloucester Boys"


Step by Step 20 minute lesson on DVD

Here's a first look at the cover of my new watercolor  instructional DVD, Homer's "Gloucester Boys."
Release date:
August 31, 2012

The cover art shows the demonstration painting in the lesson.  Discover watercolor secrets of simplifying figures as Michele Cooper demonstrates Winslow Homer's "Gloucester Boys", step by step.

Learn how to simplify the figure into two basic shapes, create strong contrasts of light and shadow, drop in color for skin tones and use specific brushwork for soft and rough edges. There is a bonus section of photo references so that you, too, can create dozens of your own simple but effective watercolor figures.

Price: $20.00 for one DVD plus $5.00 S&H


Wednesday, August 29, 2012

"Flooded Fields 3" - Corrective Measures



Here's the third of 3 installments of my new watercolor demonstration video, "Flooded Fields".

It's commonly thought that you can't make corrections in watercolor....once it's on the paper, it's there for good. In Part 3 of my new video, I show you two reasons to change the "finished" painting and the methods you might use to accomplish it. Get ready to use an X-Acto blade and paint over the entire foreground of a "finished" painting.

There are a few tips on color mixing and brushwork, too.

Please let me know what you think. Once you watch it, don't forget to give it a thumbs up if you "like" it. Thanks for watching Parts 1 and 2 and for your kind words and comments.

Friday, April 13, 2012

Red Roof Progression




Red House on the Bluff
8x10" Original Watercolor, Line and Wash


First, I used a photo reference and micron pen....no preliminary drawing, no eraser!

Next I painted a pattern of light and shadow.



Finally, I worked on the variations of light and dark tones, warm and cool colors and textures, while trying to keep it fresh and "sketchy".

 This one's not in the show at Gallery by the Bay. I just finished it in the studio yesterday.

Saturday, April 7, 2012

Los Tres Amigos Progression

 One of the 38 paintings in my show at Gallery by the Bay this month is "Los Tres Amigos (Tomatillos)"

8x10" Original Watercolor Framed : 11x14"
(Click images to zoom)

I started out with a contour drawing from the set up in my studio of two tomatillos and a husk. I painted the warm and cool lights and darks, capturing the light and cast shadows.

For the background, I used a darker value to highlight the tops of the tomatillos. I used Fabriano Artistico watercolor paper, which creates some very nice textural drizzles wet on wet.


Finally, I painted just a few of the delicate veins in the husk for texture.
(Click images to see larger)

To purchase this painting, please contact Gallery by the Bay or pick it up in person Wednesday-Saturday, 11-4.

To learn how to paint in watercolor, come to my new series of classes starting April 17 at Gallery by the Bay. For more info please
Phone360-629-4297
Emailbyindy@hotmail.com

Sunday, November 21, 2010

Watercolor Greeting Cards

Here is a fun way to practice painting in watercolor. Make a series of greeting cards.

1.Divide a half sheet (15"x22") of 140# watercolor paper with 1" tape into 4 sections (7x10" each) as shown. When cut and folded, each one becomes a 5x7" card. For a horizontal card, position the paper so the deckel edge is down, making a nice border accent on the front of the card. Mark across the fold line 5" up with a light pencil line.

2. Paint the sky with a wash of Cobalt Blue and Cobalt Violet. Add a tiny bit of Raw Sienna if the color is too bright. Use a 1" flat brush for this to avoid too many small brushstrokes. While the sky wash dries, wet the entire snow field with clear water. Be careful to leave a verrrrry thin edge of dry paper between the ground and the sky so the first wash doesn't bleed into the foreground. As the sheen goes off the clear, wet paper, paint the vertical snow shadows under the areas where the barns and trees will be. The timing has to be just right. Use the same color mixture as the sky, but slightly thicker paint. The soft edge, wet in wet, gets the desired soft, blurred shadow edge that says "snow". While you allow this to dry, you can repeat these steps on all the other card sections of your paper. By the time you get back to the first one, it will probably be dry enough to paint the barns.

3. Use a 1/4" flat brush or #8 round brush and thicker paint to make the barn shapes on dry paper. A hair dryer can be used to ensure that the paper is completely dry before you do this. Mix Burnt Sienna and Alizarin Crimson for the barns. This should be about the thickness of heavy cream. Stroke this color from left to right about 2/3 of the way across each barn shape. Quickly rinse and reload your brush with the same thickness of Raw Sienna. Now paint from right to left, completing the barn shape. As this last brushload of Raw Sienna just arely touches the damp, red paint, they will merge. Repeat this step on all your other cards. Allow everything to dry before you start the trees.

4. Trees and more snow shadows.
Trees: Use a #3 rigger or script liner brush. Mix Fr. Ultramarine Blue or Cobalt Blue and Burnt Sienna for the dark base of the trees. Thicker paint creates darker tones. Dilute it with water for the lighter limbs and branches. Wet and squeeze out the water from a natural sponge. You need one with lots of texture to create the dead leaves and fine twigs in the canopy of the trees. Tap the sponge into the remaining trunk color in your palette, then tap in the tree tops. Create as much variety as you can without overdoing it. Work around the group of cards, allowing a bit of drying time between applications. You can make fine textured dots by spattering with a toothbrush, too. Make sure you protect the rest of the painting with paper towels where you don't want spatter.

More Snow Shadows: Make sure everything is dry. Use clear water and a 1" flat brush to carefully rewet all the snow. Use more of the sky mixture, plus a bit more Cobalt Blue to lay in the contour shadows of the hillside, wet in wet.

5. Cut and fold. Make sure everything is bone dry. Use scissors or a paper cutter to cut the cards out along the inside borders of the tape. Fold in half. There you have it: your own series of hand painted watercolor greeting cards!
Note: Each one will be slightly different as you move from one to the next, changing a little here, getting more confidence there.